The trade of chemist (fortified, in my case, by the experience of Auschwitz), teaches you to overcome, indeed to ignore, certain revulsions that are neither necessary nor congenital: matter is matter, neither noble nor vile, infinitely transformable, and its proximate origin is of no importance whatsoever. Nitrogen is nitrogen, it passes miraculously from the air into plants, from these into animals, and from animals into us; when its function in our body is exhausted, we eliminate it, but it still remains nitrogen, aseptic, innocent.
– Primo Levi, The Periodic Table
The Holocaust represented a contradiction in perception: ordered, regimented evil and unrestrained, billowing pain. For decades, artists have sought to capture the ineffable destruction that befell the Jewish people.
Shoah: A Table of Elements describes the task of making order of the ungraspable. In so doing, it works to release some of the emotional charge of our most raw subjects, while evoking the more prominent associations of the Holocaust: the gasses, the smoke, the debris.
Shoah: A Table of Elements is a meditation on how we commit to memory, how we use symbols, and how we represent that which we cannot behold.
• The Hebrew version of Shoah: A Table of Elements was originally published in Armadil magazine.